In this fantastical, magical, musical extravaganza, Lynn Ahrens and Stephen Flaherty (Lucky Stiff, My Favorite Year, Once On This Island, and Ragtime) have lovingly brought to life all of our favorite Dr. Seuss characters, including Horton the Elephant, Gertrude McFuzz, Lazy Mayzie and all of the Whos of Whoville! These classic, colorful tales are seamlessly brought together by Jojo, a young boy and “thinker of strange and wonderful thinks”! As each story unfolds you will marvel at how relevant and profound Seuss’s subtle themes are, making this musical one that appeals to all ages. The score emerges as a Seussian gumbo of musical styles, ranging from Latin to pop, swing to gospel, and R&B to funk!

Simon Mostyn has recently married Kay Ridgeway, a rich woman, having thrown over his former lover, Jacqueline. The couple are on their honeymoon and are at present on a paddle steamer on the Nile. With them is Canon Pennefather, Kay's guardian, and Jacqueline, who has been dogging their footsteps all through the honeymoon. Also on the boat are a rich, ill tempered old woman with her niece and companion, a rather direct young man, a German who nurses a grudge against Kay's father, and Kay's maid. During the voyage Jacqueline works herself into a state of hysteria and shoots at Simon, wounding him in the knee. A few moments later Kay is found shot in her bunk. By the time the boat reaches its destination, Canon Pennefather has laid bare an audacious conspiracy and has made sure the criminals shall not go free.

The crass, egotistic junkman Harry Brock has come to a swanky hotel in Washington to make crooked deals with government big-wigs. He has brought with him the charming but dumb ex-chorus girl Billie, whose lack of social graces embarrasses even Harry. Billie must be taught some of the amenities, and a few basic bits of information. The young, idealistic magazine reporter Paul Verrall, who has been investigating political skullduggery and is interested in Brock's activities, agrees for a salary, to educate Billie. He finds Billie has a natural honesty and a frank streak in her, and she begins to learn about history, politics, and what Harry really is and what he wants. At a dramatic moment she rebels against being merely a tool in Harry's crooked schemes and refuses to sign the documents which she has come to learn are part of an ambitious effort to defraud the public. This precipitates a crisis, as Billie readies to leave Harry for a new life of her own.

On Golden Pond
Performances: February 13 – March 1
Auditions: December 28, 29
Directed by Randi Davenport

This is the love story of Ethel and Norman Thayer, who are returning to their summer home on Golden Pond for the forty-eighth year. He is a retired professor, nearing eighty, with heart palpitations and a failing memory—but still is as tart-tongued, observant and eager for life as ever. Ethel, ten years younger, and the perfect foil for Norman, delights in all the small things that have enriched and continue to enrich their long life together. They are visited by their divorced, middle-aged daughter and her dentist fiancé, who then go off to Europe, leaving his teenage son behind for the summer. The boy quickly becomes the "grandchild" the elderly couple have longed for, and as Norman revels in taking his ward fishing and thrusting good books at him, he also learns some lessons about modern teenage awareness—and slang—in return.

You’re A Good Man, Charlie Brown
Performances: April 24 – May 16
Auditions: Feb 22, 23
Directed by David Springstead, Sr.

The time of the action is "an average day in the life of Charlie Brown." It really is just that, a day made up of little moments picked from all the days of Charlie Brown, from Valentine's Day to the baseball season, from wild optimism to utter despair, all mixed in with the lives of his friends (both human and non-human) and strung together on the string of a single day, from bright uncertain morning to hopeful starlit evening.